Phil noto sketch tv#
While I’m working, I usually have the TV on, but I’ll listen to podcasts and music sometimes.
I usually get up around 9am, have some breakfast, catch up on the news, answer emails, do the daily Worldle and then get to work by 10am. What does a day in the creative life of Phil Noto look like? We want to hear what makes for your perfect day on the tools! I keep a folder on my computer of random photos and sketches that I’ll go through, and start mixing and matching and narrowing down into final ideas.
Phil noto sketch series#
In preparing for this upcoming show how did you build the series that we will have the pleasure of viewing?
The text is just kind of my personal spin on that. I’ve always been interested in graphic design and love the aesthetic of retro paperback covers and advertising art. Can you tell us the significance of this and perhaps where this interest stems from? There is a presence of text featured in several of your paintings. I also had the pleasure of doing a poster for the HBO show Veep for SXSW. With an expansive, impressive roster of previous illustration experience, do you have a favourite project from over the years?Īs a long time Star Wars fan, I was in heaven working on concept art for the new High Republic launch from Lucasfilm publishing. My fine art/gallery stuff is all traditional mediums and I can just have fun with with it and choose whatever I want to paint. There can be a lot of art direction and approvals with those jobs. My comic and illustration work is almost all digital. How does your approach or creative process differ between the two? Your practice seems to be divided into your illustrative work, comic work and what you refer to as your gallery art. There’s more competition these days but there’s also more editors and art directors looking for new artists for projects. The more work you put out and the greater the quality of it, it will get noticed. There’s so much art on the internet these days, it can be hard to get your stuff to stand out. What can we expect to see?Ī collection of pin-ups with a 70s/80s feel.įrom your time being formally trained as an illustrator and your extensive experience in the industry, what advice do you have for any upcoming creatives who hope to follow in your footsteps? Photos supplied by Phil Noto.Ī warm welcome back to Outré Gallery, Phil! We're so pleased to have you joining us once again, this time with your own exhibition. These interests are emphasized with his palette, composition and subject matter, true to the bygone era while adding a contemporary spin! With an interest in Mid-century graphic design, his practice references printed ephemera such as retro paperback covers, 1960s soundtrack art and advertising publications. Formally trained at Ringling School of Art and Design, Noto's work, which carries a sense of conviction in his application and his assured mark-making, is a result of his extensive time in the industry. Phil Noto is a US artist and illustrator with an expansive suite of comic and design experience, boasting a range of heavy hitters with the likes of Marvel, Walt Disney Animation and DC Comics.
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